Animation, by dictionary definition, is the act, process, or result of imparting life, interest, spirit, motion, or activity. Animation is known as a display of a series of 2-D or 3-D images in rapid succession to create the illusion of movement. The earliest form of animation recognized are in Paleolithic cave paintings, in which animals were illustrated with multiple legs superimposed to give the impression of them running. Other cases included Egyptian burial chamber murals where human figures were drawn in successive changing positions to depict movement. This can be commonly associated with the “frame” in today’s frame-by-frame animation.
Other popular devices emerging around the 1800s included the phenakistoscope, praxinoscope and the widespread flip book. One of the most successful styles of animation still used today is cel animation, patented by John Randolph and Earl Hurd. Popular films adapting this technique include the classic Walt Disney productions such as Snow White and the Seven Dwarfs (1937), Pinocchio (1940) and Fantasia (1940).
Today, animation techniques have expanded from traditional hand-drawn means, to digitally fabricated 3D models and drawing software to create equally, if not more, enticing motion pictures. It’s no doubt, that with today’s technology in computer software, that animation will continue to make remarkable innovations and will continue to be as popular as it was since the time of its creation.
manipulated realties
Animation is an incredibly powerful tool for manipulating reality in film. The use of animation helps to give complete control over the setting, especially in light of architecture and urban environments. Controlling the setting allows the creator to evoke the sense of familiarity while changing how one can interact and comprehend the space.
This site will touch on several techniques of animation in film and how the uses of each are able to manipulate the reality of urban environments and the architectural atmosphere of the set.
