Terri
Meyer Boake BES BArch MArch LEED AP Associate Professor _ Associate Director _ Undergraduate Academic Officer |
Arch
443/646: Architecture and Film |
contemplations _ of _ zero _ gravity
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Wednesdays 10:00 to 2:00,
Cambridge, Main Floor Lecture Hall Course
Description: Film gives us the rare opportunity to completely question all that has come to be accepted in terms of the language of architecture as well as architectural and historic convention. Much of the development of this convention is based upon the existence of gravity. Gravity has driven the design of structures and architectural systems since the notion of shelter was first conceived. The development of all structural form, from the simple beam, round arch, gothic arch and systems of vaulting, to more complex structures, has responded to the need to control gravitational forces. The focus of the term will be the exploration of expressions of zero gravity architecture in films over the past 100 years. Film, particularly since the advent of computer graphics and advanced modelling and cinematographic editing software, has increasingly been able to first ignore the force of gravity, and ultimately, to exploit its absence. The final student film productions will also be asked to both question and address the issue of gravity in their subject matter and formal expression. The question will be asked, and answered: How do we build buildings? How do we build movies? We will be using FinalCutPro to make our films this term. The undergraduate work will also require the creation of a website using Dreamweaver. Masters student will prepare more "advanced" text intensive research related websites. Tutorials in both of these softwares will be provided. Students wishing to explore some of these ideas using iMovie, are recommended to look at some additional plug-ins that are available at http://www.imovieplugins.com/ that enable rotation of movies and adjustment of image height (when it goes sideways...). This is not meant as an endorsement of the product. It just works and the plug-ins are relatively inexpensive.... invert clip, angle clip Pedagogic
Objectives: Completion
Requirements: |
DETAILS FOR THE END OF TERM WEB DESIGN ASSIGNMENT ARE NOW POSTED!
Schedule of Classes and Films: Please note: With the exception of the first class/film, the class will begin at 10 a.m. with responses to the previous week's film. The film listed for the week will start around 11 a.m. "Visitors" will always be welcome to the class. |
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Date | Film Name and Details | Reviews and Links |
Sept 14 discussion questions |
Aelita: Queen of Mars (1924) (111 minutes) A Soviet sensation upon its heavily publicized release in 1924, Aelita, the Queen of Mars is now a curiosity of post-revolutionary Russian silent cinema, a bit laughable in its revolutionary zeal not only on Earth but on Mars as well! Despite a cool reaction from critics, the film was such a hit with the Soviet public that many Russian babies born in '24 were named Aelita, and the Cubist designs of the Martian sets--heavily influenced by the avant-garde "constructivist" style--would in turn influence science fiction films in the years to follow (most notably the Flash Gordon serials). With costume designs performances that are truly out of this world, Aelita was the 1924 equivalent of a Spielberg spectacular; now it's a museum piece, unlikely to raise anyone's pulse, but it's startling to think that this film was even possible in 1924 Russia. Based (very very loosely) on Aelita (1922) by
Alexei Tolstoy: This is the classic case, from the early times
of film, of the movie being rather untrue to the book. Whereas the
focus of the book is on the trip to Mars and at least insofar as the
description of the trip recognizes the experiences of space travel,
the planet Mars does not. |
http://www.imdb.com/title/ http://www.ce-review.org/ http://www.astronautix.com/ http://www.imagesjournal.com/ http://en.wikipedia.org/ http://www.umich.edu/ promise of science-space travel http://www.scifidimensions.com/ http://www.smh.com.au/ http://www.dartmouth.edu/ http://www.bibliomania.com/ http://www.biblion.com/ |
Sept 14 Timelines of Science |
Super Structures: The Making
of the International Space Station (2000) (52 minutes) Modern civilization has been built by the unlimited imaginations of those who have been undaunted by what seems to be insurmountable obstacles and challenges. In 1998 construction began 250 miles above the earth on the International Space Station. Astronauts have been doubling as construction workers on one of the largest projects ever conceived. It will take 45 space missions to provide the materials necessary to build the station. In the end it will weigh over 1 million pounds and cover the size of two football fields. |
http://www.boeing.com/ Space: Home Away From Home |
Sept 21 discussion questions |
H.G. Wells:
First Men on the Moon The movie is based upon the book, written by Wells in 1901. It is important to consider the timing of the writing of the book in conjunction with the timing of the film production. When the book was written they still believed that there were "canals" on Mars, evidence of water... look at timelines of science!!! The Ray Harryhausen special effects again take center stage and they still hold up, even today. This film represented a technical and stylistic challange for Harryhausen because it was shot in the widescreen Panavision format, which did not allow for the use of traditional stop-motion animation techniques. Consequently, blue screen superimposing was used throughout and this lends a real sense of scope and spectacle to the film. The art direction and design are well thought out and are first rate, making the underground lunar empire seem all the more probable on the otherwise airless moon.
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The film:
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Ray Harryhausen: Other interesting links...
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Sept 21 |
Just Imagine (1930) (we are just looking
at the trip to Mars sequence from this film) |
http://www.scifilm.org/ http://marsmovies.free.fr/ http://www.moviediva.com/ http://www.csie.ntu.edu.tw/ |
Sept 28 discussion questions |
Stanley
Kubrick’s
2001: A Space Odyssey (1968) (148 minutes) 2001: A Space Odyssey is a countdown to tomorrow, a road map to human destiny, a quest for the infinite. It is a dazzling, compelling drama of man vs. machine, a stunning meld of music and motion. To begin his voyage into the future, Kubrick visits our prehistoric ape ancestry past, then leaps millennia into colonized space, and ultimately whisks astronaut Bowman into uncharted realms of space, perhaps even into immortality. And meet HAL. Douglas Trumball, who is involved in the sets for this film, goes on to direct Silent Running and then become involved in the Star Wars saga. |
http://www.strafe.com/2001/ http://www.kubrick-web.co.uk/2001.htm http://www.kubrick2001.com/ http://www.britmovie.co.uk/ http://www.palantir.net/2001/ http://www.elstree.co.uk/ promise of science-computers |
Oct 5 |
Dreamweaver Tutorial All undergrad students are required to submit a website as part of this course. This tutorial will address the use of Dreamweaver to create your site. ALL STUDENTS ARE WELCOME TO ATTEND. |
Introduction to Dreamweaver Tutorial link |
Oct 12 discussion questions |
Silent Running (1971) (90 minutes) As this science fiction classic opens, botanist Freeman Lowell (Bruce Dern) has spent 8 years aboard the space freighter "Valley Forge" preserving the only botanical specimens left from Earth under huge geodesic domes. When he receives orders to destroy the project and return home, Lowell rebels and hijacks the freighter, while plunging the craft into the gaseous rings of Saturn. From that moment on he has only the trees, the gardens and two drone robots to keep him company on his greatest adventure of all. You HAVE to think of this film as a "period" piece. It immediately preceded Star Wars and many of the people working on the sets for Running were also involved in Star Wars. It also speaks to a political time where the world is still involved in the Vietnam War and the US and Russia are still taunting each other with nuclear weapons. The budget was a mere $1M. |
http://www.barbeefilm.com/ http://shipofdreams.net/ http://german.imdb.com/ http://ofcs.rottentomatoes.com/ http://www.movieactors.com/ http://www.stomptokyo.com/ http://www.lunadude.com/ http://www.robothut.robotnut.com/ |
Oct 19 |
FinalCutPro Tutorial Use of this software is not mandatory to produce your movies but it will be "supported". The video lab at the school is set up with computers for exclusive FCP use by students. Students may also use iMovie as the regular lab computers are all equipped with iMovie/iDVD. |
This looks like a great help site: http://users.design.ucla.edu/ |
Oct 26 discussion questions |
Star Wars IV: A New Hope For this class the first portion will be pre-empted by the Accreditation review decision announcement. Class will start at around 11:30/noon and we will look at the extras on the DVDs that address the making of the film. I will schedule the showing of the film itself at another time if it is desired by the class. |
http://www.imdb.com/title/tt0076759/ http://en.wikipedia.org/wiki/Star_Wars http://www.theforce.net/swtc/ http://home.kooee.com.au/ http://www.movie-locations.com/ http://starwars.wikicities.com/ |
Nov
2 discussion questions |
Solaris (1972) (169 minutes) The Russian answer to 2001, and very nearly as memorable a movie. The legendary Russian director Andrei Tarkovsky made this extremely deliberate science-fiction epic, an adaptation of a novel by Stanislaw Lem. The story follows a cosmonaut (Donatas Banionis) on an eerie trip to a planet where haunting memories can take physical form. Its bare outline makes it sound like a routine space-flight picture, an elongated Twilight Zone episode; but the further into its mysteries we travel, the less familiar anything seems. Even though Tarkovsky's meanings and methods are sometimes mystifying, Solaris has a way of crawling inside your head, especially given the slow pace and general lack of forward momentum. By the time the final images cross the screen, Tarkovsky has gone way beyond SF conventions into a moving, unsettling vision of memory and home. Well worthy of cult status, Solaris is both challenging art-house fare and a whacked-out head trip. This is NOT the recent film of the same name starring George Clooney. |
http://www.ragnatelamagazine.com/ http://www.nationmaster.com/ http://www.imdb.com/title/ http://www.zone-sf.com/solaris.html http://film.guardian.co.uk/features/ http://homevideo.about.com/ http://www.dvdtalk.com/ http://www.acs.ucalgary.ca/ |
Nov
9 discussion questions |
Outland The film was the first use of "Introvision", a new method of blending models with human actors. |
http://www.epinions.com/ http://www.sfworld.onlinehome.de/ http://www.rottentomatoes.com/ http://w1.860.telia.com/ http://www.all-reviews.com/ dennis fanti - research paper film images http://www.scifi.com/sfw/ |
Total Recall (1990) (124 minutes) This Schwarzeneggar film is set in the future (but filmed in Mexico City) and speaks about travel to Mars and vacations that are the result of brain implants. It makes interesting use of present day modern architecture to speak of an architecture of the future (all in concrete...) and presents a view of life on Mars and living conditions on the planet. Based on the Philip K. Dick short story, "Remember It Wholesale". Dick also wrote "Do Androids Dream of Electric Sheep", base story for Bladerunner, as well as those for Minority Report. |
http://en.wikipedia.org/ http://www.filmtracks.com/ http://www.philipkdick.com/ http://www.godamongdirectors.com/ http://www.sciflicks.com/ http://www.imdb.com/ |
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Nov 23 discussion questions |
Star Wars III: Revenge
of the Sith (2005) (142 minutes) We will look at the final installment of the 6 episide set with respect to its architectural and fx development in comparison with episode IV from a few weeks earlier. The first and last production pieces are almost 30 years apart in the making. How have things changed? How have they not? We will also look at some of the "how this was made" type parts of the DVD set. |
http://sw-anthropo.ibelgique.com/ http://www.planetizen.com/node/ http://www.starwarsgalaxiesonline.com/ http://architecture.about.com/ http://www.tonight.co.za/ http://movies.groups.yahoo.com/ http://www.theshorthorn.com/ http://www.wired.com/news/ http://www.starwars.com/ http://www.bit-tech.net/ http://www.amd.com/us-en/Corporate/ http://www.achievement.org/autodoc/steps/ http://www.achievement.org/autodoc/page/ http://www.hollywoodnorthreport.com/ Richard Edlund on Motion Control Filming |
Nov 30 |
Final Student Film Presentations!!! All students must be prepared to have their final films ready for showing on this date. Please be sure that they are burned to a DVD-R format disk! (or they won't work on a regular DVD player). EVERYONE AND ANYONE IS INVITED! |
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Undergraduate
Requirements: Assignment
#1: The Review 30% DETAILS!! Assignment
#2: (HBAS)The Video 50% Graduate
Requirements: Assignment
#3: Advanced Web Site/Research "Piece" 40% DETAILS!! References: Required: More recommended texts coming... This is a carry over list from last year. Some of these are out of print. There will be new listings coming that are more in line with the topic of this year's course. Recommended: Maggie Toy, editor. A.D. Architectural Design Profile no. 112. Architecture and Film. Academy Group Ltd. 1994. Maggie Toy, editor. A.D. Architectural Design Profile no. 150. Architecture + Animation. Wiley-Academy. 2001. Francois Penz, editor. Cinema & Architecture: Melies, Mallet-Stevens, Multimedia. British Film Institute, 1997. Thomas Hine. Movie Houses. Architectural Record. 04.02. Terry Smith, editor. Impossible Presence: Surface and Screen in the Photographic Era. University of Chicago Press, 2001.
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Other miscellaneous, but helpful links: |
http://hubcap.clemson.edu/~sparks/sffilm/indexsff.html
(fantastic sci-fi film course homepage from Clemson University -- great links and reading references for a wide range of films)
http://www.geocities.com/Hollywood/Lot/2976/SF_FilmResources.HTML The Cinematic City: The City and Architecture in Motion
Pictures http://shipofdreams.net/sfmovies/movielinks.htm http://www.umich.edu/~umfandsf/film/films/ http://www.scifimoviepage.com/index.html Filming Locations used in Many Movies: |
Avoidance of Academic Offenses |
Students are expected
to know what constitutes academic integrity, to avoid committing academic
offenses, and to take responsibility for their actions. Students who
are unsure whether an action constitutes an offense, or who need help
in learning how to avoid offenses (e.g., plagiarism, cheating) or about
rules for group work / collaboration should seek guidance from the course
professor, TA, academic advisor, or the Undergraduate Associate Dean.
For information on categories of offenses and types of penalties, students
should refer to Policy #71, Student Academic Discipline, http://www.adm.uwaterloo.ca/infosec/Policies/policy71.htm Students who believe that they have been wrongfully or unjustly penalized have the right to grieve; refer to Policy #70, Student Grievance, http://www.adm.uwaterloo.ca/infosec/Policies/policy70.htm |
last updated October 15, 2008