CLASSIC .. silent films The classic approach to composing music for film is to associate actions or characters with certain themes, which are modified depending on the intensity of the event or emotion, or on their interaction with other themes. This is achieved through a play of familiar instrumentations, rythms, and musical forms. Silent films came straight out of a late nineteenth century operatic tradition established by Richard Wagner, whose music was characterized by large, swelling, full orchestral sound that bound stories together and helped characters express their moods and thoughts. A majority of 20th century film scores owe much to Wagner. The music in both Caligari and Metropolis is grandiose, exaggerated, of late romantic, Wagneresque influence, operating in much the same way opera music enhances stage performances. It thematically conveys both action and character emotion, from the bussle and excitement of the fair, the apparent stability and calm of the protagonist when are we are first introduced to him within his story, and a general sense of imminent threat throughout. Neither film's musical score is notable in any way for being innovative. Many silent films have since had their scores re-recorded or even re-written. |
composers:
Wagner - Ride of the Valkyries
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CONTRADICTION |
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EVENT |
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CHARACTER |
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THE ADDED DIMENSION |
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