2001: A Space Odyssey | Solaris

             In each of these films the materials used in space construction seem more advanced than earlier films.  The construction is reflective of a culture that is aware of the atmosphere of space and has a good understanding of space travel.  In each case the conditions and atmosphere created involve a world where humans exist in space within a capsule.  

            A reoccurring geometry is seen in both movies.  Circular enclosures, which lock out the external environment, are used in both films.   In both cases, the environments created give the essence of a womb.  They are round, and in Solaris’ case, padded, harnessing in the humans from the zero-gravity atmosphere.  The circular construction also illustrates an advanced understanding in the results of living in a zero-gravity condition, where there is no up, down, end or beginning.

            The materials used within space capsules are typically white, in the cases of these film types.  They illustrate a very sterile environment. To denote an idea of a vacuum, the cladding is durable and solid with a plusher interior materiality. These environments create live moment within a vast atmosphere; the enclosures seem to brace the inhabitants into the capsule.            
           
            In each case the films expose an idea of fear of things to come. At this point in history space travel was less of a foreign idea but mainstream concept. With the moon landings of 1969, (and a boom of space assignments by NASA and Soviet Space researchers in the 1960’s & 70’s), the general public was familiar with space exploration, and began to question, “what’s next?”  Living in zero-gravity environments, up until then a foreign idea, became plausible conclusions for future technological advancements.   Finishing rooms with interior treatments furniture much like one experiences on earth, really reflects this attitude. In both films, however, the respective directors demonstrate a fear of further space advancements.  For instance, the padded walls in Solaris and at the end of 2001: A Space Odyssey, suggest that however admirable these advancements are, we as a race may be in over our heads.